Every Now And Then By Earth Wind And Fire With lyrics
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I think that the worst is through
I'm almost over you
I guess it was just a matter of time
I've started going out
How long can anybody go without
Before you start goin' out of your mind
Even so, I confess
There are times when my heart rules over my head
[Chorus]
Every now and then
I find myself wondering about you baby
Seems now and again
I can't escape the thought of all that might have been
Every now and then
Morning's the hardest time
I wake up dreamin' 'bout you and I
Some days I can't remember them all
Evenings are painfull still
I can't help wondering if they always will be
I can't help noticing this emptiness-baby
I don't cry, every night
Just the ones when I feel like I feel tonight
[Chorus]
Every now and then
I find myself wondering about you baby
Seems now and again
I can't escape the thought of all that might have been
Every now and then
[Bridge]
When I'm alone anytime I hear music play
When I reach, reach for the phone
Why does everything good
Make me think of you baby
[Chorus]
Every now and then
I find myself wondering about you baby
Seems now and again
I can't escape the thought of all that might have been
Every now and then
Earth Wind and Fire Biography
Born: 1969
Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. Conceived by drummer, bandleader, songwriter, kalimba player, and occasional vocalist Maurice White, EWF's all-encompassing musical vision used funk as its foundation, but also incorporated jazz, smooth soul, gospel, pop, rock & roll, psychedelia, blues, folk, African music, and, later on, disco. Lead singer Philip Bailey gave EWF an extra dimension with his talent for crooning sentimental ballads in addition to funk workouts; behind him, the band could harmonize like a smooth Motown group, work a simmering groove like the J.B.'s, or improvise like a jazz fusion outfit. Plus, their stage shows were often just as elaborate and dynamic as George Clinton's P-Funk empire. More than just versatility for its own sake, EWF's eclecticism was part of a broader concept informed by a cosmic, mystical spirituality and an uplifting positivity the likes of which hadn't been seen since the early days of Sly & the Family Stone. Tying it all together was the accomplished songwriting of Maurice White, whose intricate, unpredictable arrangements and firm grasp of hooks and structure made EWF one of the tightest bands in funk when they wanted to be. Not everything they tried worked, but at their best, Earth, Wind & Fire seemingly took all that came before them and wrapped it up into one dizzying, spectacular package.
White founded Earth, Wind & Fire in Chicago in 1969. He had previously honed his chops as a session drummer for Chess Records, where he played on songs by the likes of Fontella Bass, Billy Stewart, and Etta James, among others. In 1967, he'd replaced Redd Holt in the popular jazz group the Ramsey Lewis Trio, where he was introduced to the kalimba, an African thumb piano he would use extensively in future projects. In 1969, he left Lewis' group to form a songwriting partnership with keyboardist Don Whitehead and singer Wade Flemons. This quickly evolved into a band dubbed the Salty Peppers, which signed with Capitol and scored a regional hit with "La La Time." When a follow-up flopped, White decided to move to Los Angeles, and took most of the band with him; he also renamed them Earth, Wind & Fire, after the three elements in his astrological charts. By the time White convinced his brother, bassist Verdine White, to join him on the West Coast in 1970, the lineup also consisted of Whitehead, Flemons, female singer Sherry Scott, guitarist Michael Beal, tenor saxophonist Chet Washington, trombonist Alex Thomas, and percussionist Yackov Ben Israel. This aggregate signed a new deal with Warner Bros. and issued its self-titled debut album in late 1970. Many critics found it intriguing and ambitious, much like the 1971 follow-up, The Need of Love, but neither attracted much commercial attention, despite a growing following on college campuses and a high-profile gig performing the soundtrack to Melvin Van Peebles' groundbreaking black independent film Sweet Sweetback's Baadasssss Song. as similar to the music from that M Bass Benfull Wind Good Evening is known for the song.
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